In Tamil Nadu, we
worship our film stars (in many cases literally: by building temples, installing
their images as deities and actually conducting pooja). And of course among all the stars we adulate, Rajnikanth has
a special place of his own. This macho hero, who can fell twenty rogues with
one punch and cause a building to collapse by simply blowing hard on it, is revered
in every nook and canny of Tamil Nadu, loved elsewhere in South India and pretty
well-known even in the rest of the country. But I always took it for granted that
the super star’s popularity, like the big rivers of the country, stopped at the
shores of the nation.
“Do you think,” a
friend asked me a few years ago, “Rajnikanth has fans outside India?”
I shook my head.
“Well, he does –
in Japan!” he said.
“I don’t believe
that,” I said. “That’s like telling me the Japanese have suddenly started
eating uttapam instead of sushi.”
“They may not have
taken to uttapam”, he said, “but
they’ve definitely taken to Rajnikanth in a big way. In fact,” he continued
when he saw me still looking sceptical, “Rajni’s 1998 film ‘Muthu’ was the
first Tamil film to be dubbed into Japanese: it was released under the
endearing name of ‘Mutu: Odoru Maharaja’ and it grossed a record $1.6 million
in Japan.”